{"id":6516,"date":"2025-06-18T17:24:01","date_gmt":"2025-06-18T15:24:01","guid":{"rendered":"https:\/\/www.retorika.fr\/2025\/06\/18\/negotiation-and-power-in-the-film-les-promesses\/"},"modified":"2025-10-24T15:41:39","modified_gmt":"2025-10-24T13:41:39","slug":"negotiation-and-power-in-the-film-les-promesses","status":"publish","type":"post","link":"https:\/\/www.retorika.fr\/en\/2025\/06\/18\/negotiation-and-power-in-the-film-les-promesses\/","title":{"rendered":"Negotiation and power in the film Les Promesses"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"6516\" class=\"elementor elementor-6516 elementor-5814\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1d38ad54 elementor-section-height-min-height elementor-section-boxed elementor-section-height-default elementor-section-items-middle\" data-id=\"1d38ad54\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-12e862d4\" data-id=\"12e862d4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6a56d3c6 elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"6a56d3c6\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;,&quot;_animation_delay&quot;:100}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Negotiation &amp; Power<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-20f24b11 elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"20f24b11\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;,&quot;_animation_delay&quot;:100}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">in the film \"Les Promesses<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2e403179 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2e403179\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-4e9d86e5\" data-id=\"4e9d86e5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-6432ba2\" data-id=\"6432ba2\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-377ea30d elementor-widget elementor-widget-text-editor\" data-id=\"377ea30d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>By Virgil Benyayer<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-227a8f4a elementor-widget elementor-widget-spacer\" data-id=\"227a8f4a\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-32998749 elementor-widget elementor-widget-text-editor\" data-id=\"32998749\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3>Political intrigue in the heart of the 93<\/h3><p>The movie <a href=\"https:\/\/www.allocine.fr\/film\/fichefilm_gen_cfilm=287080.html\" target=\"_blank\" rel=\"noopener\"><em><strong>The Promises<\/strong><\/em><\/a> features Cl\u00e9mence<a href=\"https:\/\/www.radiofrance.fr\/personnes\/isabelle-huppert\" target=\"_blank\" rel=\"noopener\">(Isabelle Huppert<\/a>), mayor of a town in the 93-department of Paris, determined to save the insalubrious Bernardins district. Alongside her first deputy Naidra (Naidra Ayadi) and her chief of staff Yazid (Reda Kateb), she must navigate between political ambitions, fragile loyalties and last-minute negotiations.<br>Cl\u00e9mence wants to stand for re-election, despite a promise made to Naidra to give up her seat. The dilemma intensifies when Pierre, an influential member of their party, enters the discussion and personal interests become entangled with the future of an entire neighborhood.  <\/p><h4> <\/h4><h2>A key negotiation scene<\/h2><p>Initially, to avoid conflict, Cl\u00e9mence proposes a compromise: start the mandate, then hand it over to Naidra along the way. But something unexpected happens: Yazid manages to collect, in extremis, the missing charges from the co-owners of the housing estate, an essential condition for submitting the urban renewal application before the deadline. <\/p><p>This advance completely changes the balance of power. Cl\u00e9mence revises her negotiation strategy: <br><strong>Option 1:<\/strong> Pierre immediately calls the Prime Minister to validate the 63 million euro renovation plan \u2192 Cl\u00e9mence withdraws her candidacy.<br><strong>Option 2:<\/strong> No call is made \u2192 Cl\u00e9mence shows up alone and retains the full mandate.<\/p><h4> <\/h4><h3>BATNA in Les Promesses<\/h3><p>This scene perfectly illustrates the notion of <strong>BATNA (<em>Best Alternative To a Negotiated Agreement<\/em>).<\/strong><br>In the initial situation, Naidra&#8217;s BATNA was to receive at least part of the mandate.<br>After the reversal, Cl\u00e9mence&#8217;s BATNA becomes much stronger: if no agreement is reached, Naidra loses any chance of gaining the position. This strategic shift makes the scene particularly powerful, and highlights the fragility of political alliances. <\/p><h3> <\/h3><h3>Negotiation and cinema: a mirror of reality<\/h3><p>The film <em>Les Promesses<\/em> reminds us that negotiation is based on the ability to adapt to new information, the importance of power relations, and the central role of BATNA in any discussion.<\/p><h4> <\/h4><h4>What film negotiation scenes have impressed you?<\/h4><p>How is BATNA&#8217;s strength &#8211; or weakness &#8211; illustrated?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5154769d elementor-widget elementor-widget-spacer\" data-id=\"5154769d\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-16315c68 elementor-widget elementor-widget-text-editor\" data-id=\"16315c68\" data-element_type=\"widget\" data-settings=\"{&quot;motion_fx_motion_fx_scrolling&quot;:&quot;yes&quot;,&quot;motion_fx_translateY_effect&quot;:&quot;yes&quot;,&quot;motion_fx_translateY_speed&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:4,&quot;sizes&quot;:[]},&quot;motion_fx_translateY_affectedRange&quot;:{&quot;unit&quot;:&quot;%&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:{&quot;start&quot;:0,&quot;end&quot;:100}},&quot;motion_fx_devices&quot;:[&quot;desktop&quot;,&quot;tablet&quot;,&quot;mobile&quot;]}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>What negotiation scenes have impressed you in the cinema? How is the notion of BATNA illustrated? <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-1cea7963\" data-id=\"1cea7963\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3f76d903 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3f76d903\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-27270aa1\" data-id=\"27270aa1\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-4cde7e83\" data-id=\"4cde7e83\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2cad23ec elementor-widget elementor-widget-text-editor\" data-id=\"2cad23ec\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>ON THE SAME THEME :  <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-6a23dfdb\" data-id=\"6a23dfdb\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-29f82cdb elementor-section-height-min-height elementor-section-boxed elementor-section-height-default elementor-section-items-middle\" data-id=\"29f82cdb\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7e07db0a\" data-id=\"7e07db0a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-42a1197e elementor-widget elementor-widget-spacer\" data-id=\"42a1197e\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3d53e8a2 elementor-align-center elementor-widget elementor-widget-button\" data-id=\"3d53e8a2\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/www.retorika.fr\/en\/contact\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">contact us<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-64e28d5 elementor-widget elementor-widget-spacer\" data-id=\"64e28d5\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Negotiation &amp; Power in the film &#8220;Les Promesses By Virgil Benyayer Political intrigue in the heart of the 93 The movie The Promises features Cl\u00e9mence(Isabelle Huppert), mayor of a town in the 93-department of Paris, determined to save the insalubrious Bernardins district. Alongside her first deputy Naidra (Naidra Ayadi) and her chief of staff Yazid&hellip; <a class=\"more-link\" href=\"https:\/\/www.retorika.fr\/en\/2025\/06\/18\/negotiation-and-power-in-the-film-les-promesses\/\">Continue reading <span class=\"screen-reader-text\">Negotiation and power in the film Les Promesses<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":4646,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[],"class_list":["post-6516","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sales","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Negotiation and power in the film Les Promesses - Retorika<\/title>\n<meta name=\"description\" content=\"In Les Promesses, Isabelle Huppert plays a mayor in the midst of political negotiations. 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